{"title":"Electronic","description":"","products":[{"product_id":"my-bloody-valentine-mbv","title":"My Bloody Valentine - MBV","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMBV \u003c\/b\u003e\u003c\/i\u003eis the third studio album by\u003cspan data-mce-fragment=\"1\"\u003e rock \u003c\/span\u003eband\u003cspan data-mce-fragment=\"1\"\u003e My Bloody Valentine\u003c\/span\u003e, self-released on 2 February 2013. Produced by the band's vocalist and guitarist Kevin Shields,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003em b v\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas the band's first full-length release of original material since Loveless\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1991), over two decades earlier.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecording for\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003em b v\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebegan prior to My Bloody Valentine's breakup in 1997. Shields resumed recording in 2006 at the time when the band was reunited, with further recording occurring after 2011. The album received critical acclaim and was named among the best albums of 2013 by numerous publications, including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Pitchfork_(website)\" title=\"Pitchfork (website)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Pitchfork_(website)\"\u003ePitchfork\u003c\/a\u003e\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Uncut_(magazine)\" title=\"Uncut (magazine)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Uncut_(magazine)\"\u003eUncut\u003c\/a\u003e\u003c\/i\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Wire_(magazine)\" title=\"The Wire (magazine)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/The_Wire_(magazine)\"\u003eThe Wire\u003c\/a\u003e\u003c\/i\u003e.  wikipedia \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003efully analog cut. includes download codes \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003embv records \/ domino records\u003c\/p\u003e","brand":"MBV Records \/ Domino Records","offers":[{"title":"Default Title","offer_id":45094910820582,"sku":"MLP100001","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/MyBloodyValentine-MBVLP.jpg?v=1743631590"},{"product_id":"nation-of-language-a-way-forward-1","title":"NATION OF LANGUAGE - A Way Forward","description":"","brand":"Mint Gallery Record Co","offers":[{"title":"Default Title","offer_id":45152221397222,"sku":"MLP2400151","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/NATIONOFLANGUAGE-AWayForward_cdf1bd39-1635-432e-ad19-14d91a561f5d.jpg?v=1757641198"},{"product_id":"massive-attack-mezzanine-1","title":"Massive Attack - Mezzanine","description":"\u003cp\u003e2023 reissue.\u003c\/p\u003e","brand":"Mint Gallery Record Co","offers":[{"title":"Default Title","offer_id":45152222281958,"sku":"MLP2400217","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/massiveattackmezzanine.jpg?v=1746752913"},{"product_id":"massive-attack-blue-lines-1","title":"Massive Attack - Blue Lines","description":"","brand":"Mint Gallery Record Co","offers":[{"title":"Default Title","offer_id":45152222511334,"sku":"MLP2401616","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/massiveattackbluelinesvinyl.jpg?v=1749156074"},{"product_id":"lcd-soundsystem-lcd-soundsystem-1","title":"LCD SOUNDSYSTEM - LCD Soundsystem","description":"","brand":"Mint Gallery Record Co","offers":[{"title":"Default Title","offer_id":45152228704486,"sku":"MLP2400130","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/LCDSOUNDSYSTEM-LCDSoundsystem.jpg?v=1759950435"},{"product_id":"bjork-debut-import","title":"BJORK - Debut [Import]","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDebut is the first international solo studio album by Icelandic recording artist Björk. The album was originally released in July 1993 on One Little Indian and Elektra Records, and was produced by Björk in collaboration with artist Nellee Hooper. Her first recording following the dissolution of her previous band the Sugarcubes, the album departed from the rock-oriented style of her previous work and instead drew on an eclectic variety of styles across electronic pop, house music, jazz and trip hop. ~ \u003cem\u003eThe In Groove\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mint Gallery Record Co","offers":[{"title":"Default Title","offer_id":45227336007910,"sku":"MLP2400236","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/BJORK-Debut_Import.jpg?v=1743631217"},{"product_id":"sally-shapiro-rent","title":"Sally Shapiro - Rent","description":"\u003cp\u003e\u003cspan\u003e\"Sally Shapiro's cover of this Pet Shop Boys classic keeps the original close to the heart. Emphasizing the baroque leanings of the chord progression, they take it further with a 8th note melody careening over icy pads. The result is a Synthwave skyline scraping the upper atmosphere in the never-ending race to survive the first of the month. It's a twisted tale of the politics of economy in relationships where the currency is love. Sally's crystalline coo glides over Johan's elegant Italo production as the bass line anchors the galloping rhythm section. Home is where the heart is...but shelter comes first in this game of love.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJohnny Jewel\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"italians do it better","offers":[{"title":"Default Title","offer_id":45313398669542,"sku":"MLP24000111","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/SallyShapiroRent.jpg?v=1743631129"},{"product_id":"the-high-violets-to-where-you-are","title":"The High Violets - To Where You Are","description":"\u003cp\u003ePortland, Oregon shoegazer revivalists the High Violets' second album is a blissed-out confection of echoing guitars and Cocteau Twins-like vocals, anchored by a solid rhythm section. \u003cem\u003e~ All Music Review\u003c\/em\u003e\u003c\/p\u003e","brand":"The High Violets","offers":[{"title":"Default Title","offer_id":45315808755942,"sku":"THV001","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/TheHighViolets-ToWhereYouAre.jpg?v=1754342025"},{"product_id":"mars-volta-tremulant","title":"Mars Volta - Tremulant","description":"\u003cp\u003eWhen At the Drive-In decapitated itself, it basically split a whole into two halves; the Mars Volta took up the more ethereal, spacy, and experimental one. This project seems to pretty much abandon the nearly radio-friendly station they had previously taken up with Relationship of Command by creating an epic-length masterpiece of quirky, spacious sound rather than the more upfront rock aspects (the half of which is now embodied in the other ATDI offshoot band, Sparta). With Tremulant, the Mars Volta threaten to outdo the sizzling body of work of their past lives with the creation of something seething and timeless, melding their more beautiful and transcendent styles with rhythmic battery and shimmering gloss. Cedric's vocals mesmerize, as always, backed with the odd lust of Omar's melody and the powerhouse rhythm section and keys. If this EP is only a taste of what is to come, listeners have quite a bit to expect from this outfit. \u003cem\u003e~ All Music Review\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mint Gallery Record Co","offers":[{"title":"Default Title","offer_id":45477706694886,"sku":"MLP2400444","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/MarsVolta-Tremulant.jpg?v=1754338665"},{"product_id":"cortini-alessandro-nati-infiniti","title":"Cortini, Alessandro - NATI INFINITI","description":"\u003cp\u003eAlessandro Cortini originally recorded the music heard on NATI INFINITI for an immersive audio installation at the Sónar Lisboa Festival in 2022, then debuted it as a performance at the Atonal Festival in Berlin the following year. Created entirely on the Strega synthesizer which Cortini co-designed with Make Noise, the album is a slowly evolving work in five parts. Cortini gracefully twists frequencies and applies decay and distortion, keeping the energy strong yet making it feel as if the world is gradually rotting away. The second movement feels the most agitated, like a deep swarm of insects which hover but never attack. Other parts offer an increasingly sour variation on the same mood, and by \"V,\" the final movement, it all coalesces into an overwhelming haze. NATI INFINITI is a singular work best experienced in full, and it's some of the most rewarding music Cortini has produced.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mint Gallery Record Co","offers":[{"title":"Default Title","offer_id":45477710266598,"sku":"MLP2400429","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/Cortini_Alessandro-NATIINFINITI.jpg?v=1754184960"},{"product_id":"primal-scream-screamadelica-import","title":"Primal Scream - Screamadelica [Import]","description":"\u003cp\u003eThere's no overestimating the importance of Screamadelica, the record that brought acid house, techno, and rave culture crashing into the British mainstream -- an impact that rivaled that of Nirvana's Nevermind, the other 1991 release that changed rock. Prior to Screamadelica, Primal Scream were Stonesy classic rock revivalists with a penchant for Detroit rock. They retained those fascinations on Screamadelica -- one listen to the Jimmy Miller-produced, Stephen Stills-rip \"Movin' on Up\" proves that -- but they burst everything wide open here, turning rock inside out by marrying it to a gleeful rainbow of modern dance textures. This is such a brilliant, gutsy innovative record, so unlike anything the Scream did before, that it's little wonder that there's been much debate behind who is actually responsible for its grooves, especially since Andrew Weatherall is credited with production with eight of the tracks, and it's clearly in line with his work. Even if Primal Scream took credit for Weatherall's endeavors, that doesn't erase the fact that they shepherded this album, providing the ideas and impetus for this dubtastic, elastic, psychedelic exercise in deep house and neo-psychedelic. Like any dance music, this is tied to its era to a certain extent, but it transcends it due to its fierce imagination and how it doubles back on rock history, making the past present and vice versa. It was such a monumental step forward that Primal Scream stumbled before regaining their footing, but by that point, the innovations of Screamadelica had been absorbed by everyone from the underground to mainstream. There's little chance that this record will be as revolutionary to first-time listeners, but after its initial spin, the genius in its construction will become apparent -- and it's that attention to detail that makes Screamadelica an album that transcends its time and influence. \u003cem\u003e~ All Music Review\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mint Gallery Record Co","offers":[{"title":"Default Title","offer_id":45477711020262,"sku":"MLP2400380","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/PrimalScream-Screamadelica_Import.jpg?v=1754183517"},{"product_id":"faker-chet-hotel-surrender","title":"Chet Faker - Hotel Surrender","description":"\u003cp\u003eReviving the Chet Faker persona he'd abandoned back in 2016, Nick Murphy finds salvation in the hypnotic grooves and dark electronic soul of Hotel Surrender. Faker's breakout 2014 debut was a chilled-out delight of crafty trip-hop beats, jazzy sway, and disarmingly rich vocals. The two follow-up records he made under his given name found the Australian singer\/producer nurturing his organic pop tendencies to strong critical response but lackluster chart performance. Back in Faker mode, he wields an effortless sense of cool, assembling a set of mood pieces that are cathartic in a subtle and often joyful way. Recording in New York just as the city was entering the 2020 pandemic lockdown, Murphy was dealt an additional blow by the sudden death of his father. Shaded by tragedy and global tension, he recast his project as a form of therapy in the hopes of offering some shred of inspiration, to himself and others. Laid out like a mission statement in the spoken intro of \"Oh Me Oh My,\" Faker intones with weary wonder \"Music does something, I don't know what it does, I just accept it as the sky is blue.\" As the track kicks in, he delivers a tour de force full of slinky charm and quirky asides sounding like a hip-hop Andrew Bird or a bluesy Beck. Another highlight, \"Low,\" is full of bootstrapping affirmations and eerie dub-like sonic details. As Faker rolls through dreamy electro soundscapes (\"Whatever Tomorrow\") and funky neo-soul (\"Feel Good\" and \"So Long So Lonely''), he sounds more fascinated by life's turns than bummed out by them. Proof that you can't keep a good man down, Hotel Surrender is a testament to Murphy's skills as an artist and his attitude as a person. \u003cem\u003e~ All Music Review\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mint Gallery Records","offers":[{"title":"Default Title","offer_id":45532111110374,"sku":"MLP2400485","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/FAKER_CHET-HotelSurrender.jpg?v=1754181824"},{"product_id":"telex-sex","title":"TELEX - Sex","description":"\u003c!----\u003e","brand":"Mint Gallery Records","offers":[{"title":"Default Title","offer_id":45532111732966,"sku":"MLP2400496","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/TELEX-Sex.jpg?v=1754180422"},{"product_id":"basement-jaxx-kish-kash","title":"BASEMENT JAXX - Kish Kash","description":"\u003cp\u003eWith two full-length masterpieces behind them, Basement Jaxx still hadn't recorded a bum note, nearly ten years after getting together. But while their third record, Kish Kash, is still miles ahead of the various formula relied upon by scores of dance producers, it isn't the same filler-free party classic as Remedy and Rooty. In fact, it reveals the duo perhaps relying too much on their own formula, the jumped-up Prince production with tech-heavy percussion and effects exploding all over the mix. Granted, Felix Buxton and Simon Ratcliffe ably deflect most criticisms with this LP, shot through with high-profile collaborations -- nearly all of them intriguing tracks with star turns. Post-punk hero Siouxsie Sioux shows various electroclash victims just what it means to be a postmodern diva for \"Cish Cash,\" while *NSYNC's JC Chasez is a surprising success on the beguiling \"Plug It In.\" Teenage garage-rap sensation Dizzee Rascal turns in a fabulous outré performance on \"Lucky Star,\" but the Indian filmi sample driving the song displays Basement Jaxx in a light they've never been in before: behind the times. And while Me'Shell NdegéOcello is a steely, assured vocalist for the propulsive \"Right Here's the Spot,\" the final two minutes are so close to Prince the track becomes more rip-off than homage. There's really no way to make a splash with a third full-length that sticks so close to the formula, even one they helped create. Still, while Kish Kash may be the best dance record of 2003, it's the least imaginative record Basement Jaxx have ever released. \u003cem\u003e~ All Music Review\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mint Gallery Records","offers":[{"title":"Default Title","offer_id":45532112027878,"sku":"MLP2400502","price":44.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/BASEMENTJAXX-KishKash.jpg?v=1754179947"},{"product_id":"aphex-twin-cheetah","title":"APHEX TWIN - Cheetah","description":"\u003cp\u003eSimilar to the Analord EP series, 2016's Cheetah contains some of Richard D. James' most stripped-down techno tracks. Nearly everything here sticks to a steady midtempo, and the tracks generally take their time developing, subtly adding new elements rather than excitedly jumping from one point to another. Other than the CD bonus track (remember those?) \"2X202-ST5,\" all of the tracks feature some permutation of either \"CHEETAH\" or \"CIRKLON\" in the title, and while they're basic enough on the surface to be variations on the same themes, there's enough going on to separate the compositions. As with much of James' output since relaunching his release schedule with 2014's full-length Syro, the demo-like track titles and lack of devilish whimsy make the album seem far more clinical than his past works. The most playful thing about the release isn't any of the songs themselves, but rather the video for \"CIRKLON3.\" The clip was directed by 12-year-old Ryan Wyer, and it features a group of children ecstatically dancing while wearing Aphex T-shirts and masks. The way they're dancing could easily fit with one of James' faster drill'n'bass-style tracks, though, so the relative calmness of the music seems a little out of place. By far the EP's highlight is \"CIRKLON 1,\" which features more detailed drum rolls flurrying up from time to time, as well as a nice melody that recalls a more subdued take on '80s Italo-disco or freestyle. \"2X202-ST5\" features a slowly expanding grimy bassline surrounded by a slightly queasy melody and a basic rhythm of kicks, snares, and claps. The EP is fine, by all means, but it's definitely not the Aphex release to reach for if you're expecting to be challenged or blown away by something utterly unique or exciting. \u003cem\u003e~ All Music Review\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mint Gallery Records","offers":[{"title":"Default Title","offer_id":45532112257254,"sku":"MLP2400509","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/APHEXTWIN-Cheetah.jpg?v=1754179628"},{"product_id":"vega-alan-saturn-strip","title":"VEGA, ALAN - Saturn Strip","description":"\u003cp\u003eBy the time of his third solo album, Suicide frontman Alan Vega had decided he wanted to escape the art punk ghetto he had been confined to and seek the mainstream success that had eluded Suicide. So, for Saturn Strip, Vega signed to a major (his first, Elektra) and pulled out all the stops to accomplish stardom. He utilized Suicide producer and fan Ric Ocasek to produce the album, but with as much polish and sheen as any album released by Ocasek's much more successful band, the Cars. He also brought on a then-unknown aspiring synth-pop musician named Alain Jourgensen (who would later earn infamy as the creative force behind Ministry) to add a sleek synthesizer sound. What's more, Vega condensed all of his song ideas into concise, straightforward four-minute pop songs instead of the extended art pieces that dominated his first two albums and his Suicide work (such as \"Viet Vet\" or \"Frankie Teardrop\"). There's even a straightforward disco cover, Hot Chocolate's \"Every 1's a Winner.\" It may seem that such a move would be a gross betrayal of his previous artistic direction, but, in fact, it results in simply the best album of his career, one that even occasionally tops his Suicide oeuvre. By dropping his self-indulgent tendencies and focusing on simple song structures, Vega's talent for evocative lyrics and clever melodies comes across clearly, and his vocals, always charismatic and exciting, are at their best here. Unfortunately, the album was nowhere near the commercial success it was crafted to be, and Vega eventually returned to willful obscurity. Still, compared to most other synth-pop albums of the era, Saturn Strip is every bit as impressive as it was upon its release, and fans that want to dig deeper to appreciate a truly lost gem of the era, or are seeking an introduction to Vega's unique talents, should definitely seek it out. \u003cem\u003e~ All Music Review\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mint Gallery Records","offers":[{"title":"Default Title","offer_id":45532112388326,"sku":"MLP2400513","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/VEGA_ALAN-SaturnStrip.jpg?v=1754178667"},{"product_id":"chemical-brothers-exit-planet-dust","title":"CHEMICAL BROTHERS - Exit Planet Dust","description":"\u003cp\u003eThe former Dust Brothers make oblique reference to litigation averted on their debut full-length. The Chemical Brothers' sound is big on bombast, replete with screeching guitar samples and lots of sirens and screaming divas. A breakthrough album of sorts, Exit Planet Dust was, upon its release, one of the few European post-techno albums to make any sort of headway into the stateside market. \u003cem\u003e~ All Music Review\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mint Gallery Records","offers":[{"title":"Default Title","offer_id":45532112683238,"sku":"MLP2400521","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/CHEMICALBROTHERS-ExitPlanetDust.jpg?v=1754177177"},{"product_id":"caribou-andorra","title":"CARIBOU - Andorra","description":"\u003cp\u003eAs Dan Snaith became an accomplished producer with his Manitoba and Caribou albums of the 2000s, the breathtaking vitality of his early work gave way to music that may have been more accomplished, but was never as interesting or as fun to listen to. Andorra is just the kind of break with the past that he needed after 2005's relatively lackluster The Milk of Human Kindness. His first album on Merge, it's less a collection of innovative sounds and productions (like The Milk of Human Kindness) and more an album of songs, united by his motivations and desires. These tracks are first and foremost songs -- and not just because Snaith is singing a bit more. There's less of a \"programmed\" sound, although the productions are dense with tape cut-ups, layered harmonies, and various percussion lines threaded through the mix. And the sheer strength of the material is immediately apparent when the opener, \"Melody Day,\" reveals itself as the best moment in Snaith's career. First of all, it sounds like it was recorded in 1966 by a British band that just missed the cut for the Nuggets, Vol. 2 box set, recalling '60s touchstones like the Move or Soft Machine. Not strictly a throwback, though, its ineffably crisp and kaleidoscopic production style ranks with the best of Dungen or Fiery Furnaces or Animal Collective (which is high praise indeed). Andorra may be a bedroom record, but it certainly doesn't sound like a bedroom record; it has the energy and intensity of group participation, and that makes it Snaith's best yet. \u003cem\u003e~ All Music Review\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Mint Gallery Records","offers":[{"title":"Default Title","offer_id":45532112716006,"sku":"MLP2400522","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/CARIBOU-Andorra.jpg?v=1754176800"},{"product_id":"nightmares-on-wax-carboot-soul","title":"Nightmares On Wax – Carboot Soul","description":"\u003c!----\u003e","brand":"Mint Gallery Records","offers":[{"title":"Default Title","offer_id":45549923270886,"sku":"MLP25611","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/NightmaresOnWax_CarbootSoul_2b663def-cfb8-4c0b-80a8-85dca278c9e0.jpg?v=1757642702"},{"product_id":"blanc-estoc-christmas-copy","title":"Amen Dunes - Death Jokes (Loser Edition)","description":"\u003cp\u003eOn each Amen Dunes album, Damon McMahon's music grows to encompass the ideas he needs to express. Freedom's inspired union of classic rock grandeur, electronic sheen, and deeply personal lyrics showed just how wide-ranging his music could be, but on Death Jokes, he zooms out farther. Rather than grappling with his own complicated relationships with family dynamics and toxic masculinity as he did on Freedom, he goes straight to the root cause: American culture's dangerous -- and paradoxically polarizing -- need to conform. To express this societal sickness to its fullest, McMahon challenged himself, studying piano and teaching himself Ableton. He also challenges his listeners. Where Freedom culminated the streamlining of Amen Dunes' music that began with Through Donkey Jaw, Death Jokes evokes the foreboding density of DIA with startling, sometimes suffocating, layers of samples and beats. Protest chants, a recording of the oldest written song, and excerpts of Coil and Type O Negative can be heard on the album's constantly morphing nine-minute epic \"Round the World,\" which also finds common ground between the melody of \"There's a Hole in the Bucket\" and the artistic philosophy of French composer\/conductor\/teacher Nadia Boulanger (who taught McMahon's own piano teacher): \"...When you compose, I prefer you to be mistaken, if you must, but to remain natural and free, rather than wishing to appear other than what you really are.\" These tumultuous sounds add a jolting spontaneity to McMahon's songs, but they're also carefully chosen allusions. Death Jokes' brash title track kicks off the album with a collage of routines by Lenny Bruce and Richard Pryor, touching on how we use humor to shrink existential dread down to size and the obligation artists have to confront society's ugly truths. There are also snippets of an interview with J Dilla, whose influence is felt on the intricate yet elated sonic patchworks of \"Joyride\" and \"Boys.\" On songs such as \"I Don't Mind,\" the contrast between Death Jokes' fractured digital mosaics and McMahon's seemingly ageless voice and melodies rings particularly true to music's role to reflect and critique what's going on in the world. His keening, weathered vibrato would be the perfect conduit for mythic songs about loss, injustice, and resilience in any era -- \"What I Want\" falls somewhere between a lullaby and a murder ballad -- but if any artist is capable of uncovering eternal truths from the turbulent 2020s, it's him, and \"Exodus\"' call to action, \"Mary Anne\"'s mercy, and \"Purple Land\"'s musings on how the years pass feel authentically timely and timeless. McMahon's honesty extends to describing the album's samples and field recordings as thought-provoking \"irritants.\" They're occasionally distracting, and it's tempting to want these songs to have the space to breathe. Nevertheless, McMahon always takes his music wherever it needs to go, and Death Jokes is the bracing sound of Amen Dunes actively engaging with the world and its problems. \u003cem\u003e~ All Music Review\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"CC","offers":[{"title":"Default Title","offer_id":45558135292134,"sku":"CC00769","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0700\/1128\/9830\/files\/AmenDunes-DeathJokes_LoserEdition.jpg?v=1754174389"},{"product_id":"panda-bear-tomboy","title":"Panda Bear - Tomboy","description":"\u003cp\u003eWith its dense layers of music and found sounds, Panda Bear's Person Pitch became an indie rock standard-bearer almost immediately after its release. Trying to top it would be a daunting task, and on Tomboy, Noah Lennox doesn’t attempt it. Instead, he strips away the samples that made Person Pitch so hallucinatory and focuses on guitars, drums, and emotive melodies. A few found sounds make their way into the bookends “You Can Count on Me” and the beatific “Benfica,” giving the impression that Tomboy picks up right where Person Pitch left off, but the album’s overall sound is much sparer: the aptly named “Drone” and the smoky “Scheherazade” are downright minimalistic compared to what came before. Yet Tomboy is just as dreamy and hypnotic in its own way, with Lennox's familiarly looping melodies and structures coated in so much reverb and delay that an intricate collage of samples isn’t necessary to make these songs transporting. “Friendship Bracelet” is more than trippy enough as it flutters by on naïve electronics, while “Slow Motion” is submerged in dub-inspired effects and keyboards. Unlike Person Pitch's immersive miasma of sound, Tomboy takes a more song-based approach to Lennox's fondness for Brian Wilson harmonies and melodies. “Last Night at the Jetty” is a wistful, lysergic slow dance, surrounding vocals that could grace a Four Freshmen ballad with heady swirls of guitar; “Surfer’s Hymn” is a reconfigured teenage symphony that sounds like a memory of summer. Lennox recorded Tomboy in a basement studio in Lisbon, Portugal, and the album reflects those surroundings, providing a moody cocoon of sound to retreat into instead of Person Pitch's expansiveness. A feeling of loss often shadows these songs, and there’s a newfound sense of urgency, particularly on “Tomboy” and the fittingly soaring “Afterburner.” Meanwhile “Alsatian Darn,” which begins with chilly, ballad-like verses that warm into choruses that sound like an underwater folk dance, shows just how much more Lennox can do with less. 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